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GLOSHINE LED Screen settled in ShanXi Broadcast TV station

Recently, the upgrade works of the news live stream room of ShanXi Broadcast TV station has been finished, around 100 square meters of GLOSHINE fine pixel pitch LED video screens assisted it construct the HD vision world to display the modern development of ShanXi. This has been one of the most important projects of live stream video display of Shan’Xi Broadcast TV Station since 2021 upgrade of the HD broadcast system.To get more news about P4 Outdoor LED display, you can visit htj-led.com official website.

Since then, ShanXi Broadcast TV station- the Shan’Xi Convergence Media Group has upgraded its video walls one after another. The news live stream room as one of the most important studio, it has the highest requirements of LED video screens.

The news studio applied GLOSHINE AW series fine pixel pitch LED screens, AR series floor displays, ZE series HD screens as its main screen of background, screen of interview and station broadcast displays, and the floor screens of broadcast and control table, ceiling screens, MESH screen of the interview room, to realize HD video broadcast.
In the news studio of ShanXi Broadcast TV Station, its main background screen and its interview rooms, its station broadcast screens were GLOSHINE AW series fine pixel pitch screens. With their smooth and curve surfaces and vivid display effects which can be broadcasted in a very close distance had presented a perfect high definition image.

In the studio with hundred square meters space, the main background screen was located in the center, a 11.4m width by 2.37m height AW1.56mm high definition video wall with smooth and curve appearance was provided by Shenzhen GLOSHINE technologies LTD.

The AW series fine pixel pitch video screen came with wide visual angel and high definition of visual effect has supported the camera a smooth, noiseless HD live broadcast.

The GLOSHINE AW series HD screen comes with a golden ratio of 16:9 vision meet the aesthetic vision of human eyes offered stable quality of image, vivid and smooth colors, auto-adjustment of brightness and extreme high definition effects. Its back-up power supply and receiving card design support front maintenance which has been applied popularly in TV studios, CCTV, commercial supermarket exposition, advertising media, video conference and cinemas.

The broadcast and control table equipped with the AR1.95mm floor screen, it’s the first time that the fine pixel pitch LED floor screen used in the permanent project. The circular floor screen covered by the tempering glass resisted heavy weight and displayed stable and vivid images.

At the top of the studio, the curve screen and the MESH LED video display of the interview room, was provided by GLOSHINE, its ZE2.6mm HD LED video screen. As a classic rental high definition LED screen, GLOSHINE ZE series has the super stable performance, output lasting and stable of HD images, vivid colors and high reducibility.

9 Ways to Make Your Video Walls Work

When implementing video walls, an event technology coordinator can run into a wide variety of problems. This article aims to provide solutions for common mistakes when implementing this technology.To get more news about INDOOR LED SCREEN, you can visit htj-led.com official website.

Common Pitfalls to Avoid when Using Video Walls
Whether you plan to rent LED video walls that are in a prime location, or lease or purchase them and install them at your own event space, the cost is often easily offset through the sheer amount of exposure you can achieve in a short period. There are, however, some common pitfalls to consider and avoid. Let’s take a look at what you need to know to create a flawless video experience.

Not Understanding the Business Goals of Using a Video Wall
Before undertaking any visual implementation, the technology coordinator must consider the business goals associated with this strategy. How will a video wall improve and promote your message versus the promotion you’re currently undertaking? For example, in an event environment, a video wall is extremely useful for displaying event sponsor content, directing attendees to various areas of the venue grounds and keeping guests entertained with engaging visuals, among other things.

Not Understanding the Space
Before even considering implementing a video wall, it’s imperative that you understand the space that you’ll be occupying. These factors will come into play when determining the appropriate size, brightness, pixel pitch, resolution and power requirements of the video wall you’ll rent or purchase. Also, consider the other elements that will be present in the space – if you’re setting up for a trade show and only have a small booth, a large video wall may be overpowering to attendees and detract from your main message.
Not Understanding the Technical Capabilities of Video Wall Content
Videos, images, audio, text other content will need to be optimized for the type of video wall you’re using. Nothing makes a video wall look more unprofessional than tiny, unreadable font and low-resolution images. Both should be large and clear enough to easily understand. Remember: Even though content looks awesome on a laptop screen, it might not translate to the hugeness of video walls. Always build video wall content with big screens in mind.
Not Understanding Common Content Issues
There are several common problems that people without design experience can run into when developing content for video displays. Let’s explore a few.

Content is too long – whether a sponsor’s message overstays its welcome, or a block of text is too big and chunky, content that’s too long is a common problem among amateur designers or event advertisers. Short, simple messages will always be more effective on a digital sign. Take, for example, a billboard on the highway: when a person is driving 70 mph, they just don’t have the time to take in a 30-second advertisement. Likewise, people aren’t sitting down on their couch when they’re at an event, they’re dealing with a ton of distractions and are probably moving about – that’s why it’s important to present an easily digestible message. The general rule of thumb is to limit the length of video wall content to around 10 seconds.
Small, unreadable text – When designing content, make letters large, at least a fourth of the screen and use a sans serif font. Some designers create super small text that might look nice on their laptop screen when they create it, but looks bad on the video wall. Additionally, depending on the pixel pitch you use, shades or glossy effects on text may not be needed. Despite its size, many video walls contain many fewer pixels than a computer screen, meaning they are not as detailed. In other words, it’s virtuously pointless to create shadows or shining effects on a three-inch letter that looks great on a computer, but isn’t viewable on a video wall with spaced out pixels.